Double Life, A

Synopsis
Feature film. ` A serious case of this-is- Shakespeare-so it-must-be art’. Anthony John is a great but unbalanced classical actor. Outwardly gentlemanly, he is taken over by any role that he plays, and playing Othello he becomes insanely jealous. In a manic fit he strangles Pat Kroll, a waitress, Bill Friend, a publicity agent, ties the unsolved murder to a production of Othello. A furious John attacks Friend. Friend sets up John with a Kroll look-alike, and the police decide from his reaction that he is the murderer. They decide to arrest him after a performance of Othello. On stage, knowing that he has been found out, he is overtaken by the role and nearly strangles Desdemona, his former wife. He pulls back just in time, stabs himself and dies in the wings’. (McKernan, Luke & Terris, Olwen Walking Shadows: Shakespeare in the National Film & Television Archive (London: bfi, 1994), p123.
Language
English
Country
United States
Medium
Film
Technical information
Black-and-white / Sound
Year of release
1947
Duration
105 mins; 9,396 feet

Credits

Director
George Cukor
Producer
Michael Kanin
Cinematographer
Milton Krasner
Screenplay
Garson Kanin; Ruth Gordon
Music
Miklos Rozsa
Cast
Ronald ColmanAnthony John (Othello)
Edmond O’BrienBill Friend
Ray CollinsVictor Donlan
Shelley WintersPat Kroll
Signe HassoBrita

Additional Details

Production type
Fiction Films
Plays
Othello
Subjects
Drama
Keywords
Shakespeare, William (1564-1616)
Related items
Jack Benny Show, The [01/02/1948]

Notes

General
The cast of Othello: Guy Gates Post, David Bond, Leslie Denison, Virgina Patton, Thayer Roberts, Fay Kanin, Arthur Gould-Porter, Frederic Warlock, Boyd Irwin, Percival Vivian.

Some way down the cast, cast as ‘girl in a wig shop’, is Betsy Blair, one of several actresses who almost became Desdemona in Welles’ OTHELLO (1952). She also appears as Emily in the Othello derivative ALL NIGHT LONG (1961).
Awards
Academy Award 1947 - Best Actor - Ronald Colman. Best Score for a Dramatic or Comedy Picture - Rozsa.
Reviews
`Whether Colman’s rich performance is on the greatest or one of the worst-ever recorded on film seems a matter of taste. Overall a silly but suspenseful melodrama that would convince far more if the scenes from Othello were not so poorly staged’. (McKernan & Terris, Walking Shadows: Shakespeare in the National Film and Television Archive. (London:bfi, 1994), 123). Tony Howard in his essay Shakespeare’s Cinematic Offshoots in Cambridge Companion to Shakespeare on Film edited by Russell Jackson (Cambridge: CUP, 2000) believes that in this film and MEN ARE NOT GODS (1936), both Othellos act better when they are insane.

Production Company

Name

Kanin

Name

Universal International

How to cite this record

Shakespeare, "Double Life, A". https://learningonscreen.ac.uk/shakespeare/search/index.php/title/av36888 (Accessed 26 Nov 2024)