Fused Stained Glass
Series
- Series Name
- Living Tomorrow
Issue
Story
- Story No. within this Issue
- 4 / 4
- Summary
- COI synopsis: Traditional stained glass with lead joining the segments evolved because different colours could not be fused together without cracking. At Whitefriars Glass in London they are using specially blended compatible colouring agents so that different colours can be joined directly, producing glass of many shades and textures.
- Keywords
- Arts and crafts; Science and technology; Industry and manufacture; Design
- Written sources
- COI Microfilm Roll 49 [BFI National Archive] Used for synopsis
- COI Reference
- MI 1458/94
- Credits:
-
- Producer
- Anthony Thomson
- Camera
- Barry Dodds
- Sponsor
- Central Office of Information (COI)
- Sponsor
- Foreign & Commonwealth Office
- Director
- John Lyndon
This series is held by:
Film Archive
- Name
- British Film Institute (BFI)
- For BFI National Archive enquiries:
nonfictioncurators@bfi.org.uk
For commercial/footage reuse enquiries:
footage.films@bfi.org.uk - Web
- http://collections-search.bfi.org.uk/web
- Phone
- 020 7255 1444
- Fax
- 020 7580 7503
- Address
- 21 Stephen Street
London W1T 1LN - Notes
- The BFI National Archive also preserves the original nitrate film copies of British Movietone News, British Paramount News, Empire News Bulletin, Gaumont British News, Gaumont Graphic, Gaumont Sound News and Universal News (the World War II years are covered by the Imperial War Museum).
- Series held
- View all series held by British Film Institute (BFI)
How to cite this record
'Fused Stained Glass', Living Tomorrow Issue No. 94, Nov 1971. https://learningonscreen.ac.uk/newsonscreen/search/index.php/story/325428 (Accessed 14 Mar 2025)