Results
7 results found for '"Ken Campbell"' in Person.
Verb, The [04/12/2009] (2009 Radio)
aka: Arto Vaun/School of Night
- Series
- Verb, The
- Producer
- Laura Thomas
Radio broadcast. In this edition of the weekly word and language show hosted by Ian McMillan, the late Ken Campbell’s improvisational troupe The School of Night applies their anarchic energy to...
Taming of the Shrew, The (2004 Television)
- Series
- Theatre in America
- Producer
- Ken Campbell (2)
San Francisco’s American Conservatory Theatre commedia dell’arte production with Fredi Olster as Katherina and Marc Singer as Petruchio. Recorded before a live audience.
Tempest, The (2001 Video)
- Series
- Shakespearean Drama
- Director
- William Woodman
A version of the play which in the costumes and reproduction of the Globe theatre stage contribute to recreating the impression of 16th-century performance. Efrem Zimbalist Jnr is Prospero.
Antony and Cleopatra (2001 Film, Video)
aka: Tragedy of Antony and Cleopatra, The
- Series
- Shakespearean Drama
- Director
- Lawrence Carra
- Producer
- Ken Campbell (2)
An American television movie version of the play, in which the costumes and reproduction of the Globe theatre stage contribute to recreating of 16th-century performance. Uses a modern English narrative....
Makbed (1998 Audio)
- Director
- Ken Campbell; Nikki Amuka-Bird; Lorna Bennett
Ken Campbell’s version of Macbeth directed by Campbell, Nikki Amuka-Bird and Lorna Bennett and spoken in Pidgin English (Wol Wantok). Performed by 2nd year students at the London Academy of Music and...
Makbed (1998 Audio)
- Director
- Ken Campbell
Ken Campbell’s version of Macbeth, directed by Campbell, and spoken in Pidgin English (Wol Wantok). Performed by 2nd year students at the London Academy of Music and Dramatic Arts (LAMDA). This recording...
Tempest, The (1979 Film)
- Director
- Derek Jarman
- Producer
- Guy Ford; Mordecai Schreiber
Low-budget adaptation of the play using chiaroscuro lighting, location shooting, unusual casting, and eccentric costuming. The film remains faithful to the spirit of the play. Jarman’s understanding of the...