From our latest issue no.116 - 'Home'
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Incubating Death Beyond the Domestic
12th November 2020
Clare Archibald explores her audiovisual work experiments in producing art from her experience of going through labour to give birth to a child that died shortly afterwards, as expected.
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Home Is A Fragile Place: Lockdown Shorts
12th November 2020
Dr Anna Viola Sborgi, writes about short films made during the first UK lockdown period and how the crisis was represented on screen.
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Police Departments, Home Invasion and Video Archive
12th November 2020
Travis Wagner takes a deep dive into what home invasion films within a police training archive atUniversity of South Carolina's Moving Image Research Collection might tell us about shifting perceptions of home.
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DOMESTIC HORROR AND TRANS-FEMININITY IN JAMIE CREWE'S ASHLEY
12th November 2020
Elisabetta Garletti examine the question of domesticity in relation to transgender experience through a review of Ashley (2020), a 45-minute film realised by the Glasgow-based artist and winner of the 2019/2020 Margaret Tait Award Jamie Crewe
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NO PLACE LIKE HOME: On Martel’s Salta Trilogy
12th Novemeber 2020
Jean-Baptiste De Vaux takes you through the multiple perceptions of the domestic in Lucrecia Martel’s iconic Argentinian "Salta Trilogy"
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KITCHENS AND CONSTRUCTION OF MIDDLE EASTERN FEMALE IDENTITY ONSCREEN
12th November 2020
Rebecca Ferghali argues that the kitchen in both Middle Eastern and European films about
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Home, Class and Murder in South Korean Cinema
12th Novemeber 2020
Prof. Kate E Taylor journeys through films representing the domestic interior in Korea, with death and disorder at the forefront
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TASTE, CLASS AND DOMESTIC DÉCOR IN ABIGAIL'S PARTY
12th November 2020
Dr Ruth Adams explains the longevity and appeal of Mike Leigh's classic, and how it is in danger of becoming stuck in time
More from Issue 116
- Editor's Note: 116 'Home'
- Young Migrants’ Home in Ireland
- Home is a Fragile Place
- Inhabit of: Incubating Death Beyond the Domestic
- Home, Class and Murder in South Korean Cinema
- Police Departments and Home Invasion
- Madness in Through a Glass Darkly
- Camp Followers of the Cold War
- Can You Hear Me?
- Domestic Horror and Trans-Femininity in Jamie Crewe's Ashley
- Home and Englishness in the films of David Lean
- Home: The Domestic Interior on Screen
- Taste, Class and Domestic Décor in Abigail's Party
- Henry Rollins on Screen: Domesticity, Home and the Ballistioscene
- Kitchens and the Construction of Middle Eastern Female Identity Onscreen
- No Place Like Home
- Widescreen Melodrama and the American Home
- Home is Where the Hurt Is: EMI Films and the 1970s British Home
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